A very fine book about diverse exploitation genres and sub-genres as seen in the New York grindhouse cinemas around 42nd Street. It gives off a compelling "we were there" vibe, and, as long as they are talking about American films, the authors know their Ted V. Mikels from their Mike Findlays. Problematic are the two chapters on Eurosleaze and Asian cinema. The viewpoint fixed on films that played the classic grindhouses is great when the authors are talking about American filmmakers from New... read more
